Interested in literary fiction
that has a new take on classic literature? My novel is actually a
reworking of Henry James's Washington
Square. Readers
who liked A
Confederacy of Dunces would
also like my book.
The
genders are reversed, the story is moved forward half a century, but
the fundamental conflicts are the same. My
novel, A Most Lost King, takes
place in America in the Eighties. I prefer, if I must work inside a
specific genre, to call my work literary. “High concept fiction”
is perhaps the more precise term. Although other books and novelists
are mentioned throughout A Most Lost King, Henry
James is not one of them. A hint that there is an underlying theme
to be discovered is one thing; a key to the theme on a velvet lined
plate is quite another.
A
Most Lost King is the story of a
29 year old alcoholic, Charlie, who has an accident involving broken
glass which lands him in a rehab against his will, prevents him from
returning to liquor, and opens the far scarier door: sobriety. This
is because a few pieces of broken glass entered his body, also
against his will. The story takes place in the New York City of the
1980s, a time when AIDS was in its infancy and the fear of catching
AIDS, through any number of ways, ran ramped. This is the backdrop
for a distinctly neurotic love story between an ill educated agnostic
and a half Jewish girl who aspires to become all Jewish, despite her
mother's misgivings to the faith.
Impoverished, in denial, misunderstood and lonely, Charlie starts the
story when he is compelled by compassion to put his aching, aging
show dog to sleep. He sets off from the suburbs to the glitter of
New York City where he hopes to find a soggy spark of a shoulder to
sob on with a woman he knows but infrequently sees. The opening
sentence is actually a corrupted opening sentence which pays homage
to Camus. Are there 100 dorky questions at the end of the book to
help you gain a better appreciation? Nah. That's your job.
Available at amazon.com.